Feed the wildlife! (a radical imperative)

I set out natural stone salt-licks year-round for deer in two spots on the perimeter of the land I occupy [I’ve witnessed birds, and I suspect other wildlife enjoy/require them too].

I buy bags of apples on sale and try to set out 5 lbs a couple evenings per week for the deer during winter; I cut up a few for possums and rabbits nightly.


Deer in the full Wolf Moon’s light right beneath the triptych windows,
January 28, 2021
A deer foraging not on apples I set out, but on “weeds” – wildflowers, herbs and grasses
just beneath the triptych picture windows of my living room as I went to open the drapes to the Full Moon’s light – a second dawn, just before I retired to bed at 1:00 AM in the morning.

I feel like the salt lick, the small sweet apples and fruit scraps are my insignificant attempt at respect, alms, honoring and reparations for all we have destroyed and to the survivors who endure and remain in the middle of a cold winter. This is agro country, and not a speck of corn or fruit is left behind for wild animals in the barren cornfields and orchards that were once forests filled with acorns, walnuts, pine nuts, pawpaws and twigs – and prairies filled with grasses, herbs and wildflowers.

Continue reading “Feed the wildlife! (a radical imperative)”

‘this’

we were not that singular, after all
in spite of all evidence and words
to the contrary

we began and ended

like everyone, everything, anything else

sure.

but

this, i know

we never grew boring
we never stopped loving
we never stopped wanting

then

still

you vanished

so

what does this all mean now

what does anything mean now

what can anything mean now

what is the meaning of meaning now

this, i don’t know

explanation

she was never really glad to be here

here, as in, born

not really, no

still,

she paced herself
bided, abided the days which turned into decades
in the city

she moved out of the city

she moved out to the country

she paced her herself
bided, abided the days which turned into months and years
in the country

one more/
one more/
one more/
one more/
one more/
one more/
one more/

one more/

until she could not
one more
anymore

undo

i sometimes wake myself speaking to you aloud from my dreams

the Lake carries my voice
in one direction, west, at night;
if i’m being truthful,
in sunlight too

do you hear me in your sleep,
or when awake, in your perfect nest, your perfect, structural roost

no rest then, no rest now,
be or do,
do won out

i found /no, fought/ for my contentment
then lost /no, loved/ it away;
if i am being truthful,
it was too easy

i want to get back to when the tolerance of crows was all that mattered to me; when meadow and sky were enough to hold my singular, regent attention

and forget /no, ignore/ the attentions of men who unbecome and rebecome strangers

transubstantiation

in my winter cocoon
enveloped in sheets and blankets
my eyes closed all day

these damned windows,
seams of daylight break
through fiber,
try and force their way through slits and lashes,
i resist
pink lids, i won’t study and map
your capillary streams / birds, please don’t sing / i refuse to perceive anything but my own inlands

i don’t feed
i don’t drink
i don’t think
i don’t move
i don’t feel

i only let

let
let
let

i am not dying though
i am working from the inside
autonomic, appearing halcyon
while transforming
all memoir of you – from idealization into unbiased slurry, and,
into something, new
into something, else
of me

worth

i measure my worth

in deer so at ease they’ll eat kale from the garden, less than five meters from my door

by a home-cooked meal eaten together, still hot

in heritage Jimson weed blooms on summer nights

& harvested, unblemished squash on autumn afternoons

in bats sighted overhead at dusk from the stoop

in thriving houseplants, all named and watered

in clean sinks, sheets, floors and birdbaths

by pages read, no matter

by the number of rabbits who see me and then ignore my presence

in folks, walking exhausted, or in rain, who accept my offer, climb into my truck with their groceries or booze for a lift home

in miles walked with the dog, and in patience as he interprets the “news” thoroughly with his nose

in native prairie plants restored, by my hand, New England asters, sweetgrass, have mercy,

in minutes spent on the phone with my son,
my golden boy

in bluebirds who sing on my bedroom windowsill especially on my birthday

in knowing how the Moon will look this evening even before she rises

in poems written by, for or about me

in acorns from the sapling white oak i planted, knowing one day, i won’t be able to count them all

with a plate of at least 6 different kinds of freshly cut fruit

in hummingbirds, monarchs, hummingbirds, monarchs, hummingbirds who visit to feed, rest or cocoon

in vibing unabashedly
to music playing loudly
in the barn, in the yard, in the car

in frogs perched on the back porch light, and toads spotted and avoided on the sidewalk in the dark

in trust placed in me

in Duchenne smiles from friends and strangers, but especially strangers, and in the intense knowing look from babies anywhere, but especially in line at Walmart

by how long i kept the christmas tree – fir, spruce, or pine – drinking and alive, far more so than a dozen long-stemmed red roses

by the crows that come back again and again, recognizing my face, voice and reliable aluminum pail / us, counting on one another

by a batch of perfectly brewed and bottled sweet, iced tea

in spying even one snake, one turtle or one heron all year long

and,

by love,

by love,

by love

and that’s why / for a while,

i will feel worthless
worth less
less worth

less.

Neolexia: Arte Digitora

Arte Digitora, alternatively, arte digitora, artedigitora, #artedigitora

Arte Digitora is art/e that is organically, intentionally or incidentally created, conceptualized or derived from intentional or incidental digital/cellular communication and/or collaboration and hosted primarily – though not always exclusively – in digital space-time.

The art/e primarily consists of digital/cellular communication text content including email correspondence; word-processing documents; text and direct messaging conversation blocks or bubbles; shared photos, images, screenshots, icons/reacts/emojis; shares and links; voice clips/messages; and social media comments — using a variety of digital/cellular applications and platforms; anonymity or identity may be implied, preserved, protected or negotiated.

This art/e is created, conceptualized, utilized or reproduced by one or more participant humans based on singular, multiple, continuing or abandoned digital/cellular communications; it may be fixed i.e., “locked” and immutable, or the art/e can be fluid, altered, edited, deleted, interpreted, archived or restored in its original form or any subsequent altered/edited form by any of the the original communicators or subsequently, by those with access.

Arte Digitora are not NFTs, but NFTs may contain elements of arte digitora.

Any Arte Digitora may be migrated and reproduced in physical space in the form of inspired or derivative 2D or 3D works such as prints, photos, books, sculpture, crafts or objects, or as audio/visual, performance, tactile or projection art.



from Wikipedia:

Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.

from Wiktionary:

Digital

  1. Having to do with digits (fingers or toes); performed with a finger.
  2. Property of representing values as discrete, often binary, numbers rather than a continuous spectrum.
  3. Of or relating to computers or the Information Age.

New Me.

And, most of the World,
well, at least, the entire mattering World
came together
for one brilliant night and
even part of the next morning
with a somewhat contemplative,
protracted, very long, somewhat meditative
five ENTIRE minutes squeezed in between

And, it came to pass that there
were nearly 18 continuous hours
of agreed-upon
global activism and change-making
that had not been witnessed for exactly
364.24153644 days, previously

The World’s manifesto:

Whereas, starting tomorrow, January 1
life will be better,
so much better, different, good, great even

Again, they each individually proclaimed:
starting tomorrow, January 1
life will,
might, may, could be better, so much better, different, good, great even

Ahem, that is, to be clear, not your life,
just mine.
new year, new me.
Me. Me. Me.

keep your Sun,
give me the Moon.


(inspired by mckersin: “Just helps that the world’s energy is all in agreement that we doing everything different now”)