I could not live in any of the worlds offered to me…the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself… That, I believe, is the reason for every work of art. The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world.
Anais Nin
Here she stopped and, closing her eyes, took a deep breath of the flower-scented air of the broad expanse around her.
It was dearer to her than her kin, better than a lover, wiser than a book.
[For a moment] she rediscovered the purpose of her life.
She was here on earth to grasp the meaning of its wild enchantment and to call each thing by its right name …
Boris Pasternak, Doctor Zhivago
As soon as you are really alone you are with [the] God[head].
a man who knew my father befriended me causing me to question the nature of my reality, my history, its validity, my possibly-false memories — all, viewed through the lens of the person who had a vested interest in indoctrinating me, who preferred my naïveté, under the guise of protectivity,
long, midnight, blue-black hair, unmistakably hers, melding into her pitch black jacket an uninterrupted flowing river of velvet she, a radiant silhouette,
like the haloed total solar eclipse that would occur later that year, in August
her regal face remains unseen, sustaining the mystery
then she rises like a sun to speak, and i am in her orbit
her first words: “i feel The Lake so very present in me.”
her voice ancient with the Earth in her throat
later, my glisteny eyes meet her glisteny eyes, i memorize her face, and her hands tattooed in black ink
she is dignity embodied, i think
she inscribes a protocol for me in my book of hers, made from trees,
i give her a cord necklace suspending glass vials of seeds watermelon, corn, clover and milkweed from my garden in these forced-treaty lands, an onion field once, a portage between two rivers
a reciprocity for her words that seeded me, collaterally,
her poetry an eternal spring watering my thoughts and words
this poem is inspired and directly derived from a dream i woke up from/with
on February 15, 2023
and is an experiment of raw dreaming dialogue and internal dreaming monologue to express the dreamt experience in poetic format using minimal metaphoricphrasingand language
a familiar woman sitting on the couch in your house asks me how many hours do you have to yourself i am perplexed: “all of them” they’re all my hours.
the roof begins leaking the one you fixed last year the one i was reading under while she asked me about my hours i noticed when the book suddenly became smattered with rain drops water drops or raindrops, what’s the difference
the book was a Rugrats coloring book i don’t know what page i was on but Angelica was waiting to be colored-in and one of the boys was saying “mommy” in a speech bubble it must’ve been a thought bubble because the Rugrats, except for Angelica, are not verbal
thaw with love lettersimpermanence semi-permanencepermanencebe mine.find you someone who looks at you the way mary hatch looks at george bailey sex in the cityContinue reading “the ides of february”→
My dog, Woody, wakes up and wants breakfast – not just breakfast, but a very expensive kibble prepared with gravy and a quarter cup of warmed pumpkin (his dinner is more elaborate – it’s offered like a buffet plate or poke bowl). He eats, goes outside to do his business and investigate a little, comes back inside, and stops and sits on the rug to think, “Where is my baby?”
He goes around the house on a search for it, and comes back with a flying squirrel toy, ready to play. He bumps the laptop off my thighs several times to engage me, and we play. Later, he lets me know he’d like to go outside; we head to the basement, but he doesn’t want to wear his coat – he knows dogs don’t wear coats, and he hides behind the full clotheslines; we come to an agreement, and he permits me to put the coat on him.
We walk, but I don’t want to go to the park, so we walk through the neighborhoods; but when Woody gets to an arterial street which borders the park, he stops, looks, then looks at me, and pulls, to suggest that we should turn south right there and go to the park – because he’s actually in the mood for the park.
Woody Guthrie & the Twin Sycamores of Portage Park, Chicago 2016
When we finally arrive home after our very long walk, i dry his paws and legs one by one and also his undercarriage; he kisses my face in an annoyed gratitude; then, he lets me know he wants to be close – he has two comfy dog beds and my son’s vacant bed, but he wants to be near – and climbs into a deep club chair made for one – onto my lap – he weighs 65 lbs.
it’s mid evening east of The Lake and the night is dawning like a second morning
the Full Moon’s light in a clearer sky gleams through the generous panes of this blessed, old green house
Moon’s rise / Her Light
February’s Snow Moon is glowing in a familiar dance with her beloved Earth//
Sun, their invisible chaperone, is voyeur to their touchless, perfect tango
a family of four deer mother and children, i think/ are gleaners here tonight while i consume their Moon play
silent and sitting in the dark, i admire: coat, tallow, hooves and warm flow of blood is all that’s between them and this howling wind and frozen ground
let me mimic their resilience, their integrity i’ve been so weak, so broken this winter a fractioned shadow, i am disintegrating, disappearing / my light given or grifted away