3rd sunday of lent

We don’t decide to become Gnostics, but we discover that’s what we were all along. We don’t adhere to beliefs or views imposed from the outside, but our worldview comes from our inner experience. Sometimes that experience comes with the sound of cannons. Most of the time it happens quietly and gently but nevertheless is life altering, even though most external observers won’t notice the difference. We are un-made and remade from the inside out rather than from the outside in.

~ Tau +Rosamonde Ikshvàku Miller+,
Bishop, Ecclesia Gnostica Mysteriorum, 2013

holy ghosts: a statement


“The most important thing for everyone in Gringolandia is to have ambition and become ‘somebody,’ and frankly, I don’t have the least ambition to become anybody.”

Frida Kahlo

in the end, we are all just holy ghosts

lone, holy, haunted ghosts who sometimes want to feel, to be seen or felt by others who occupy our realms

if anyone were to have thoughts or draw conclusions about this particular ghost, about my collection of words, photos, ephemera, art, altars, or the microcosmic worlds i’ve built — now, or when i’m dead

— in the end, and at the beginning,
it is and was,
for me to better understand

my Self for myself by my self

as well, to understand my relationship to others, to the world, to the Earth – the pain and beauty of it all – and my relationship to my creativity – the conception, process and act of creating, and to existence itSelf

/ no one else is essential to interact with,
interpret, interrogate or validate any of it, ever – yet they are welcomed to do so/

the imperative in my work and my art is not to be known or understood by another — even though, even when, that exquisitely rare experience occurs – it may conjure deep feelings of true homecoming or true love

further, being seen or felt – as creative, evocative, provocative, nouveau, derivative, debased or talentless – by someone is wholly different than being truly known and understood by another human being

and although communion, consummation, and collaboration in experiencing, creating, or releasing art can be gratifying, challenging, inspiring and evolutionary,

i must always remember:

all my collaborators are ghosts; i am my own, lone, Earthly muse; i Am my holy and whole audience of one

everyone else is collateral advantage

“in the end, you will find [only] yourself at the beginning”


ghosts: me, Frida Kahlo, Agave & The Moon

Continue reading “holy ghosts: a statement”

Crown

my hair holds memory,
i know this because

i cut my own hair today




20151002_1838021772227513.jpg
her, at ten.




as i held the ends

in my hands

i said

 

did you touch the Merced with me and my boy?

i said,

do you remember my father?

and my other precious loss?

i said,

do you remember the first dog?

i said,

were you here when

i still loved

and was loved?

i said,

you were there when my mother was so near death’s door

i said,

and when i found and lost,

and lost and found, my Self again?

smiles
sighs
cries
laughs
rage
wail
and
song

i still have possessions from all those times

and places

but no skin,

my skin long shed, my bone resorbed

and renewed over and over

but my long hair is still me from many years ago

that is why hair is so precious,

i thought,

this is the genesis

of what i have always

mistook as phobia

but no,

i know today

that

physical memory is held particularly, and only, in my hair

more than Samsonian

or vanity

or femininity

my long hair

is

my body
my health
my energy
my sensation
my emotion
my years
my identity
my essence

thank you

for growing

for remembering

for showing

for staying

for flowing

for tangling

for blowing

for graying

for glowing

for floating

for knowing

with me

all these years

 

no more cuts
without ceremony

and
i promise
i will never agree to lose you

Open

I walk bare

out in the open

on borrowed land|stolen

to be returned to the people, to all be-ings, to them

with my bones or ash interred, one day

the Sun, Moon, Rain, Wind, Clouds, Sky and Stars
kiss me at all hours

did you see me open up
this Autumn?

after a Summer spent crying,
wet, yet fruitless

spent Spring wading into lies instead of soft blossoms and new grass
Winter approaches, maybe the frost will kill this disease,
for good

For now, I bathe

nearly naked in sunshine, cold rainstorms, wetland pools and moonlight

unapologetically

|out in the open|

unabashedly

baptising
my face,
hair,
and eyes,
my breasts
vulva
and legs,
my lips,
throat,
spine,
and my wild heart

ceremonially, first
with wine, like Magdalene, anointing and anointed,
in the name of the mother, Sun and holy ghosts
|cabernet henna|
then, with rainwater from the willow’s edge, like Ophelia,
lying in the woodland and meadow, flooded
to cleanse or drown [to be, or not to be]
in the name of the Moon

|I ponder the stone cistern laden with glacial deposits and ruminant bones|

the woodland is abundant with new mushroom, new overnight growth

[puhpowee]

the hint of ancient circles supplants my judgment with instinct
and overrides decorum with new delights
| and old delights, revisited |

an aged grapevine is rooted deep, climbing, trailing, snaking
hidden in plain sight, everywhere
and I’ve intuited It as Ol’ Scratch,
I take a hatchet to quell Its influence, here

You,
Your windows are not true eyes
Your lamps are not enlightenment

So, bless the dark

of the night

of the country night sky

And the Moonset

of my moon

it’s been decades,
but
this place wants to birth or impregnate me,

and I want that too
i want it to

|I come here and open up|

 

 

Famêlée

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This feels like an arrow
Made from a tree
That rose from
An acorn
That I gathered and stored
In another life

Scribed with a message continually
piercing my heart

I wasn’t only wounded though,
I was woke
into a clarity
that I was already sighting in my dreams,
writing with words
mortal and eternal

You once said, proclaimed or whispered
Every single thing
that I ever believed
My own truths embarrassed in the shadow of your confidence
My inner voice silenced in your animated persuasion
Believing you so completely – for the better of my years
Becoming like and unlike you because of it,
but not be-coming me,
Un-be-coming me every day

I ain’t even mad
You don’t know this – still,
You don’t want
to hear,
or listen;

Our time is running out
Even this admission
Is sure to haunt me one day,
and guilts me today

But I can’t call you confidant or crone
If you refuse to learn,
to evolve,
From this one archetype

The wide and long view
seems to escape you
You live in the moment in the least way, the worst way
And I don’t worship here or there, any more
The faith in your godliness is gone,
It is unfamiliar
For me to pity you
You, deaf and tone deaf

You had all the answers
In the morning shallows, perhaps
But evaporation revealed even those
Were anchor-less, yet stationary
An algae
Mucking up the colorless perfection of sunlit water

But in the deep, or dark, or quiet pools, you were always so lost
And in the ocean, at night
You drown even in its calm
You have ridden civil swells and storms,
I’ll give you that
But have you ever communed with waves
Allowing them to be part of you
Swallowing and absorbing the mystery
Becoming the colorless perfection of dark water

You seem to stay parched
Your belly’s hollow from impious fasting and pious thirst
You do know that’s where your heart sits?

But let’s agree to come around again, friend
We’ll swap places and next time
I’ll be the mother,
and the son,
and the husband,
and the elder,
and the babe,
and the foreign one,
I’ll become The Other One
because,
I want the chance to know
You