a fotografic series of bucolia





Continue reading “Ƈɾօղҽ chronicles: from the inner city to the outer rural”
a fotografic series of bucolia
“I wish I could do whatever liked behind the curtain of "madness". Then: I'd arrange flowers, all day long, I'd paint; pain, love and tenderness, I would laugh as much as I feel like at the stupidity of others, and they would all say: "Poor thing, she's crazy!" (Above all I would laugh at my own stupidity.) I would build my world which while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else's - my madness would not be an escape from "reality."
- Frida Kahlo
“I paint myself because I am so often alone, and because I am the subject I know best.”
- Frida Kahlo
“I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.”
- Frida Kahlo
my hair holds memory,
i know this because
i cut my own hair today
as i held the ends
in my hands
i said
did you touch the Merced with me and my boy?
i said,
do you remember my father?
and my other precious loss?
i said,
do you remember the first dog?
i said,
were you here when
i still loved
and was loved?
i said,
you were there when my mother was so near death’s door
i said,
and when i found and lost,
and lost and found, my Self again?
smiles
sighs
cries
laughs
rage
wail
and
song
i still have possessions from all those times
and places
but no skin,
my skin long shed, my bone resorbed
but my long hair is still me from many years ago
that is why hair is so precious,
i thought,
this is the genesis
of what i have always
mistook as phobia
but no,
i know today
that
physical memory is held particularly, and only, in my hair
more than Samsonian
or vanity
or femininity
my long hair
is
my body
my health
my energy
my sensation
my emotion
my years
my identity
my essence
thank you
for growing
for remembering
for showing
for staying
for flowing
for tangling
for blowing
for graying
for glowing
for floating
for knowing
with me
all these years
no more cuts
without ceremony
and
i promise
i will never agree to lose you
I walk bare
out in the open
on borrowed land|stolen
to be returned to the people, to all be-ings, to them
with my bones or ash interred, one day
the Sun, Moon, Rain, Wind, Clouds, Sky and Stars
kiss me at all hours
did you see me open up
this Autumn?
after a Summer spent crying,
wet, yet fruitless
spent Spring wading into lies instead of soft blossoms and new grass
Winter approaches, maybe the frost will kill this disease,
for good
For now, I bathe
nearly naked in sunshine, cold rainstorms, wetland pools and moonlight
unapologetically
|out in the open|
unabashedly
baptising
my face,
hair,
and eyes,
my breasts
vulva
and legs,
my lips,
throat,
spine,
and my wild heart
ceremonially, first
with wine, like Magdalene, anointing and anointed,
in the name of the mother, Sun and holy ghosts
|cabernet henna|
then, with rainwater from the willow’s edge, like Ophelia,
lying in the woodland and meadow, flooded
to cleanse or drown [to be, or not to be]
in the name of the Moon
|I ponder the stone cistern laden with glacial deposits and ruminant bones|
the woodland is abundant with new mushroom, new overnight growth
[puhpowee]
the hint of ancient circles supplants my judgment with instinct
and overrides decorum with new delights
| and old delights, revisited |
an aged grapevine is rooted deep, climbing, trailing, snaking
hidden in plain sight, everywhere
and I’ve intuited It as Ol’ Scratch,
I take a hatchet to quell Its influence, here
You,
Your windows are not true eyes
Your lamps are not enlightenment
So, bless the dark
of the night
of the country night sky
And the Moonset
of my moon
it’s been decades,
but
this place wants to birth or impregnate me,
and I want that too
i want it to
|I come here and open up|
I learn so many new things each day, that I feel like Samantha, the AI operating system OS¹ in Spike Jonze’s film, “Her”.
It’s as if I am birthing myself out of my own ignorance each and every day.
– kimtnt ⊕
We are in the know
We are in love
We are in love with absolute strangeness
Strangers weaving desperate bits of truths with swatches of lies and patches of mystery together
into idols of flesh-like beings ready to exist in the garden of the unknown
We begin as avatars,
with our hollows filled in with wishfulness and wistfulness
Our first chore: fashion a blanket from our shared thoughts and song
and beneath it, together
We’ll conceal our new being from them, for a while
Conceal our new world from them, for a while
Our whole, true selves rarely revealed
to each other,
or to the other-others
to our-selves
Who are You?
I think,
Better to not know your You,
Not wanting to dispel the myth
of the You I’ve created: my You
Not wanting to deconstruct the perfectly vague architecture
of the You I’ve created: my You
Wanting You only as my own creation
knowing You, owning You, or owing You
or revealing to You,
can never be what I have conjured on my side of our bed,
under our quilts, in our garden
Making You up whole,
completing You with my imagination
is godlike,
You, the Adam
I, the Creator and the Ethereal Eve
I give you the role you think you want
But just for this remote rendezvous
A scripted dialogue has gone awry with dangerous improvisation
A genesis of intangible intimacy, here,
Your being and words disembodied, afar,
is enough, for now.
To know You,
whole and complete and present
as [hu]man Incarnate
Near,
Potential,
Warm,
Muse
The angels hold their breath
What will she [i] [they] do?
For now, in the now, I am curiously
content in this undetermined, undefined serving of You
whether,
an apple to bite, to taste,
or an orchard for my harvest
⊕