unalike

the golden salmon sky beckons
before the orange orb emerges and the blue arrives
i call you to the glass doors for the eastern view
but you move with an intentional, sabotaging slowness,
without the respect, the urgency
that ephemeral light and beauty require of us

that’s just one difference between me and you,
i am keeping watch, i stay ready for some thing holy,

and you, you clock-watch for the mundane:
for the mail, for dr. phil, a rush only to ever get “it” all over with — the chore, the trip, the holiday, the ceremony, the meal, the dishes, even the damn dessert and bedtime prayer /

nothing ever truly experienced — or savored by you

save for your anger, your resentment,
and that ever-lasting gobstopper of hate, that you nurse in your cheek, its bitterness, sourness, leaching down into,

embalming, your still-living heart

how did i be-come me with you as a mother?

Continue reading “unalike”

song[s] of my self: epigenetic lamentations

During the summer of 2017 – a time of significant change in my life – including the rupture of my marriage, an upcoming “milestone” birthday, and a relocation to a quiet rural place with dark skies and an abundance of fauna and flora — I literally heard myself: I had unconsciously begun a meditative practice of singing or humming verses and melodies of sorrow, wonder, gratitude — or simply, of the mundane. They were autonomic and presumably original, lamentations.

then, serendipitously, I retroactively encountered a May 2017 piece published in Yes! magazine about the revival and history of “lament singing” in Finland.

To find that I was unconsciously, but actually, participating in a Finnish tradition that I had never experienced or even heard of — but that was somehow still within in me — in some cellular, trans-generational or ancestral place — felt like a bridge to my lineage — to all my unknown women-kin.

The lyrics and tunes occurred spontaneously over several months, and I often automatically repeated the same one over and over while working, cleaning, cooking, gardening, walking or driving. I sung or hummed them mostly while alone, but sometimes they would emerge aloud in public places — and I didn’t even realize that I was in song or know how long I had been doing it.

People who laugh, cry, sing and talk to themselves aloud in the street are not “crazy — we are comforting, raging, celebrating, mocking and mourning ourselves, our lives, our experiences and the world.

Continue reading “song[s] of my self: epigenetic lamentations”