noun: the time and space of the thresholds; attendance to or presence in, the in- betweens, the interregnum — of becoming and nonbecoming; of beingness and nothingness; of the material and ethereal; of sacredness and profanity; of love and hate; of calm and rage; of the authentic and the engineered; of inertia and energy.
limineen is both mood and State of this author, an Earthling, human, woman and entity, who finds her self present within and attendant to the thresholds of the corporeal, incorporeal and surreal.
from liminal / lim·i·nal /ˈlimənəl/ adjective
occupying a position at, or on both sides of, a boundary or threshold.
relating to a transitional or initial stage of a process.
The exclusively self-knowable inner landscape encompassing the psychic and pneumatic terrain of a person;
the complex of inner consciousness, metacognition, and intimate, private and transcendental experience that comprises the deep self of an individual; a human being’s interiority as distinguished from one’s outward persona, personality, biography or physical identity — and as distinct from the familial, professional, interpersonal, or social psychological evaluations, analyses, perceptions or stereotypes rendered, imposed or held by others.
Your amscape is the “you” that only you can explore, traverse and know.
This neologism is inspired in part by the late, Irish poet, philosopher and once-priest +John O’Donohue+ , who himself was inspired by the 13/14th century German mystic Meister Eckhart, speaking in his final appearance and in one of his last interviews ever, on On Being with Krista Tippet, before his untimely death in 2008. It is a compelling, life-affecting and -affirming conversation.
“That a person believes that if they tell you their story, that that’s who they are, and sometimes these stories are constructed of the most banal, second-hand, psychological and spiritual cliché. And you look at a beautiful, interesting face telling a story that doesn’t hold a candle to the life that’s secretly in there.
There’s a reduction of identity to biography – and they’re not the same thing. I think biography unfolds identity and makes it visible and puts the mirror of it out there … but identity is a more complex thing.
[As the 14th century German mystic, Meister Eckhart wrote:] “There’s a place in the soul that neither time, nor space, nor no creative thing can touch.” And if you cache it out, what it means is your identity is not equivalent to your biography, and there is a place in you where you’ve never been wounded, where there is still a sureness in you, where there’s a seamlessness in you, and where there is a confidence and tranquility in you. The intentionality of prayer, spirituality and love is now and again to visit that inner kind of sanctuary.”
John O’Donohue
from the Online Etymology Dictionary:
am (v.) first-person singular present indicative of be (q.v.); Old English eom “to be, to remain,” (Mercian eam, Northumbrian am), from Proto-Germanic *izm(i)-, from PIE *esmi- (source also of Old Norse emi, Gothic im, Hittite esmi, Old Church Slavonic jesmi, Lithuanian esmi), first-person singular form of the root *es- “to be.”
landscape (n.) c. 1600, “painting representing an extensive view of natural scenery,” from Dutch landschap “landscape,” in art, a secondary sense from Middle Dutch landscap “region,” from land “land” (see land) + -scap “-ship, condition” (see -ship).
collateral advantage: publicly posting or publishing while specifically aiming for the [positive] attention, feedback, or benefit of a specific person or audience — yet anyone/everyone else who encounters the post or content may receive a collateral advantage
Arte Digitora, alternatively, arte digitora, artedigitora, #artedigitora
Arte Digitora is art/e that is organically, intentionally or incidentally created, conceptualized or derived from intentional or incidental digital/cellular communication and/or collaboration and hosted primarily – though not always exclusively – in digital space-time.
The art/e primarily consists of digital/cellular communication text content including email correspondence; word-processing documents; text and direct messaging conversation blocks or bubbles; shared photos, images, screenshots, icons/reacts/emojis; shares and links; voice clips/messages; and social media comments — using a variety of digital/cellular applications and platforms; anonymity or identity may be implied, preserved, protected or negotiated.
This art/e is created, conceptualized, utilized or reproduced by one or more participant humans based on singular, multiple, continuing or abandoned digital/cellular communications; it may be fixed i.e., “locked” and immutable, or the art/e can be fluid, altered, edited, deleted, interpreted, archived or restored in its original form or any subsequent altered/edited form by any of the the original communicators or subsequently, by those with access.
Arte Digitora are not NFTs, but NFTs may contain elements of arte digitora.
Any Arte Digitora may be migrated and reproduced in physical space in the form of inspired or derivative 2D or 3D works such as prints, photos, books, sculpture, crafts or objects, or as audio/visual, performance, tactile or projection art.
from Wikipedia:
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.
a palindromic definitional word for a palindrome/ also, an onomatopoeiac, palindromic definitional word for a palindrome.
palindrome: noun [ pal-in-drohm ]
from dictionary.com
“a word, line, verse, number, sentence, etc., reading the same backward as forward, as Madam, I’m Adam or Poor Dan is in a droop.”
re onomatopoeia:
a palindrome is reversing, just as a cuckoo cuckoos; therefore: resreverser is reversing
note: resreverser is not the sound of reversing per se, but the action of the sound
res + reverse + r
res:
from the Online Etymology Dictionary:
Latin word once used in various phrases in English, often in legal language, where it means “the condition of something, the matter in hand or point at issue;” literally “thing” (see re). For example res ipsa loquitur “the thing speaks for itself;” res judicata “a point decided by competent authority.”
reverse: verb [ ri-vurs ]
from the Online Etymology Dictionary:
early 14c., reversen, (transitive), “change, alter” (a sense now obsolete); late 14c., “turn (someone or something) in an opposite direction, turn the other way, turn inside out,” also in a general sense, “alter to the opposite;” from Old French reverser “reverse, turn around; roll, turn up” (12c.), from Late Latin reversare “turn about, turn back,” frequentative of Latin revertere “turn back, turn about; come back, return” (see revert).
r : a suffix; a noun finisher
from the Online Etymology Dictionary:
alternatively –er
English agent noun ending, corresponding to Latin -or.
eighteenth letter of the English alphabet, traceable to Phoenician and always representing more or less the same sound, which in many languages is typically so resonant and continuous as to be nearly akin to the vowels, but in English is closer to -l-.
the limineen | poet & crone 