art appreciation: thresholds

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The Entrance Gate on the far bank of The River Tuoni according to the Kalevala and as depicted by Finnish artist Hugo Simberg

THE ENTRANCE TO TUONELA, 1898,
oil on canvas
Hugo Simberg, 1873-1917
Finland

Tuonela


In this piece, which is an interpretation of one of many universal myths which impart the water crossing and trek we all are to embark upon after death,

most of the departed climb up the steep, barren embankment and enter the tunnel individually, while a child and a dog are tenderly escorted — led by the hand or carried by chthonic monks into the tunnel leading to the

Underworld

the tunnel appears under geological strata — presumably the surface of Earth, with blue sky and forest in background above it

interestingly, the artist’s limited use of perspective also allows the sky and forest to be viewed potentially as the Great Beyond itself — as a Northern or Alpine “paradise,” a Valhalla, beyond the sojourn in and through the tunnel

a high, solid, wooden fence bisects the river, embankment and tunnel and prevents arrivals from observing the exiting monks — only one-way vision and traffic for the dead

and while the monks do not cast shadows, the human figures continue to be accompanied by their shadows; for those who subscribe to Jungian analytical psychology or gnostic texts, the physical shadow depicted may be interpreted symbolically as the anima/animus of the person — which would ultimately disappear during the tunnel upon the full reintegration of the Self/Soul/Spirit

through re-unification with one’s divine twin (which is sometimes also called the cosmic/celestial twin or daimon) after having been separated during human incarnation and birth.


author’s note: 

i often and prefer to call the underworld aka afterlife “The Great Wide Open of the All” — which in my liminal gleanings is a supremely contented blackness of universal consciousness, devoid of thought or sensation — a perfected existence in the dark cosmic fabric of nothingness,

there may be levels in the afterlife which may manifest our own personal imaginal constructs of paradise — far beyond what our limited sensory perception and experiences of life on Earth are - such as, an Alpine Paradise upon emerging from the tunnel -

i know full well the breathtaking beauty and feeling upon exiting a scary and lengthy mountain tunnel where my heart and eyes are stunned by a grand vista of forest, peaks and sky — from my many road trips in the Western U.S.

yet, i truly prefer the former — when i die, i want to rest for all eternity — although with just one desire, one sensation: warmth.

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worth

i measure my worth

in deer so at ease they’ll eat kale from the garden, less than five meters from my door

by a home-cooked meal eaten together, still hot

in heritage Jimson weed blooms on summer nights

& harvested, unblemished squash on autumn afternoons

in bats sighted overhead at dusk from the stoop

in thriving houseplants, all named and watered

in clean sinks, sheets, floors and birdbaths

by pages read, no matter

by the number of rabbits who see me and then ignore my presence

in folks, walking exhausted, or in rain, who accept my offer, climb into my truck with their groceries or booze for a lift home

in miles walked with the dog, and in my stilled patience as he interprets the “news” thoroughly with his nose

in native prairie plants restored, by my hand, New England asters, sweetgrass, have mercy,

in minutes spent on the phone with my son,
my golden boy

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Wanderten Mutter

“Lief heim ins Seitelein.” Unitätsarchiv, R.20.E.36.12. Archiv der Brüder-unität, Herrnhut. http://bq.blakearchive.org/40.3.schuchard “Lief heim ins Seitelein.” Unitätsarchiv, R.20.E.36.12. Archiv der Brüder-unität, Herrnhut.
http://bq.blakearchive.org/40.3.schuchard

My life seems long, I know
My body’s mostly worn
Inside, she’s just begun to live, again
A girl gone long ago

There are bottled laughs to voice aloud
New smiles to wear with these old shoes
Time to know the world, and you, and you, and you …
between these walls of peeling, muted hues

Once Herr died
My Self was ready to return
My cadence so shy and slow,
Lamenting the awkward waste of precious years

I find my voice as I write the past,
But in my book, the Tomorrow has no page
Forever winter approaches from within
These years and years upright on hard chairs

Unreal, unseen, unheard, untouched
by the world, by the womb, it may concern, Whom
I speak through and then beyond this pain of bone and life
Before the cold within brings silence of the tomb

You see, to me, my presence still feels warm, and blush
somehow, even new
My life stretched out behind me, no steps ahead
And I forestall Death’s cue, awaiting mere glimpse of you

If you can imagine, child
I love, unsaid,
I feel as just alive, as real, as you.

Gnostic Gospel of Transition

All light

That’s what you are

That’s what you always were

But, you’ve got to move on, now

Ready to go home, true.

They’re waiting for you.

All light,

I promise; it’s alright

Continue reading “Gnostic Gospel of Transition”