“Do not associate with the neutrals, because they will betray you someday, because they are too cowardly [and comfortable] to take a stand.”
they will betray
with their
portfolio and corporate profit-taking,
dependence on and loyalty to government, organizations, institutions and electoral politics,
cultural appropriation, displacement, dispossession, exploitation, and gentrification of the historically and contemporaneously oppressed
greenhouse gas & carbon footprint privilege and exceptionalism,
ecocide by appetite, consumerism, and growth/development — physical, geographical and technological,
ultimate loyalty to the State and its forcesfor maintenance and protection — of their own wealth and property, and of private and corporate property, and of The System at the expense of People’s liberation and abolition movements
Art Not Genocide Alliance manifesto as distributed and posted at the April 2024 Venice Biennale to protest the inclusion of and to demand the boycott of the Israeli Pavilion aka The Genocide Pavilion
In a world where genocide unfolds before our very eyes, shielded by nation-state rhetoric and bolstered by the imperial powers of our times, we bear witness to unspeakable horrors. This witnessing is not metaphorical – it is stark reality. To witness now is to be complicit; ignorance is no excuse, and inaction is cowardice.
What is it that cannot be stopped?
The global state structure, which dominated the 20th century, not only allows but actively enables genocide in Gaza and elsewhere in this world. Every genocide is perpetuated by a state. This machinery of destruction, guided by settler colonialism, fueled by capitalism, empowered by technological might, and covered by complicit media giants, must be dismantled. We are confronted with ongoing efforts to alienate us from our political agency and the ability to strive towards a moral and just world for all. We ask: If this level of atrocity is now acceptable, then what is deemed unacceptable? We must reconsider what structures national identities have produced and restore our severed connection to the land as a source of our identity and political existence.
The Palestinian struggle and resistance comes to remind us of what should not be forgotten: the people and the land embody each other, in time and place. It is within this unbreakable bond that we envision the future, it is within this bond that we learn from the past, and through it we engage with our present. We refuse the state of the world: the brutality of maintaining the hegemony of the powerful and the complicity of those who turn a blind eye to injustice.
What role can art and POETRY play in a future built on genocide?
The Zionist state’s atrocities permeate every level of existence. It devours all human knowledge and science by utilizing technology and social engineering to produce killing target and destruction lists. Within these new artificial intelligence technologies, every total meaning can be devoured, every total meaning can kill.
Now is the time for art and poetry. For art that rejects the logic of prevailing power. For poetry that resists the totalizing narratives that fuel the killing machines of the perpetrator. Art is inherently political-in its message, production, and presentation. It engages with society, assuming a role either in complicity or resistance.
We must defend our agency as political beings, stateless as humanity itself, collective as what our societies are, we are bound to organize an resist on multiple fronts to halt the genocide and prevent it as a future.
Art and poetry represent our liberated knowledge, freed from the belly of the beast. This moment demands that we reclaim our political agency; in its clarity, it empowers us to turn imagination into affirmative actions, forging poetic structures of collectivity-a return to the essence of our humanity. We belong to the world, to the earth, to the land, and through this agency, we move, act, and refuse to be silent accomplices to the state’s atrocities. We cannot ignore the oppressive conditions under which creativity thrives. Faced with censorship co-option, we must resist glorifying the regime or fading into obscurity.
Truly, one of the greatest evocative and provocative living contemporary artists, Survivance/resistance/futurist writers, and performance poets,
Diné artist Demian DinéYazhi’ ingeniously embedded “Free Palestine” in the flickering letters of their powerful, poemic-neon artwork at the Whitney Museum’s Whitney Biennial
we must stop imagining destruction + extraction + deforestation + cages + torture + displacement + surveillance + genocide!
we must stop predicting apocalypses + fascist governments + capitalist hierarchies!
we must pursue + predict + imagine routes toward liberation!
the limineen | earthling, poet & crone 