worth

i measure my worth

in deer so at ease they’ll eat kale from the garden, less than five meters from my door

by a home-cooked meal eaten together, still hot

in heritage Jimson weed blooms on summer nights

& harvested, unblemished squash on autumn afternoons

in bats sighted overhead at dusk from the stoop

in thriving houseplants, all named and watered

in clean sinks, sheets, floors and birdbaths

by pages read, no matter

by the number of rabbits who see me and then ignore my presence

in folks, walking exhausted, or in rain, who accept my offer, climb into my truck with their groceries or booze for a lift home

in miles walked with the dog, and in my stilled patience as he interprets the “news” thoroughly with his nose

in native prairie plants restored, by my hand, New England asters, sweetgrass, have mercy,

in minutes spent on the phone with my son,
my golden boy

Continue reading “worth”

Neolexia: Arte Digitora

Arte Digitora, alternatively, arte digitora, artedigitora, #artedigitora

Arte Digitora is art/e that is organically, intentionally or incidentally created, conceptualized or derived from intentional or incidental digital/cellular communication and/or collaboration and hosted primarily – though not always exclusively – in digital space-time.

The art/e primarily consists of digital/cellular communication text content including email correspondence; word-processing documents; text and direct messaging conversation blocks or bubbles; shared photos, images, screenshots, icons/reacts/emojis; shares and links; voice clips/messages; and social media comments — using a variety of digital/cellular applications and platforms; anonymity or identity may be implied, preserved, protected or negotiated.

This art/e is created, conceptualized, utilized or reproduced by one or more participant humans based on singular, multiple, continuing or abandoned digital/cellular communications; it may be fixed i.e., “locked” and immutable, or the art/e can be fluid, altered, edited, deleted, interpreted, archived or restored in its original form or any subsequent altered/edited form by any of the the original communicators or subsequently, by those with access.

Arte Digitora are not NFTs, but NFTs may contain elements of arte digitora.

Any Arte Digitora may be migrated and reproduced in physical space in the form of inspired or derivative 2D or 3D works such as prints, photos, books, sculpture, crafts or objects, or as audio/visual, performance, tactile or projection art.



from Wikipedia:

Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.

from Wiktionary:

Digital

  1. Having to do with digits (fingers or toes); performed with a finger.
  2. Property of representing values as discrete, often binary, numbers rather than a continuous spectrum.
  3. Of or relating to computers or the Information Age.

New Me.

And, most of the World,
well, at least, the entire mattering World
came together
for one brilliant night and
even part of the next morning
with a somewhat contemplative,
protracted, very long, somewhat meditative
five ENTIRE minutes squeezed in between

And, it came to pass that there
were nearly 18 continuous hours
of agreed-upon
global activism and change-making
that had not been witnessed for exactly
364.24153644 days, previously

The World’s manifesto:

Whereas, starting tomorrow, January 1
life will be better,
so much better, different, good, great even

Again, they each individually proclaimed:
starting tomorrow, January 1
life will,
might, may, could be better, so much better, different, good — or great, even!

Ahem, that is, to be clear, not your life,
just mine.
new year, new me.
Me. Me. Me.

keep your Sun,
give me the Moon.


(inspired by mckersin: “Just helps that the world’s energy is all in agreement that we doing everything different now”)

in the shallow of “halfway” – an untitled poem by Khalil Gibran


“Or do you need more?”


Do not love half lovers
Do not entertain half friends
Do not indulge in works of the half talented
Do not live half a life
and do not die a half death


If you choose silence, then be silent
When you speak, do so until you are finished
Do not silence yourself to say something
And do not speak to be silent


If you accept, then express it bluntly
Do not mask it
If you refuse then be clear about it
for an ambiguous refusal is but a weak acceptance


Do not accept half a solution
Do not believe half truths
Do not dream half a dream
Do not fantasize about half hopes


Half a drink will not quench your thirst
Half a meal will not satiate your hunger
Half the way will get you nowhere
Half an idea will bear you no results


Your other half is not the one you love
It is you in another time, yet in the same space
It is you when you are not


Half a life is a life you didn’t live,
A word you have not said
A smile you postponed
A love you have not had
A friendship you did not know
To reach and not arrive
Work and not work
Attend only to be absent
What makes you a stranger to them closest to you,
and they strangers to you


The half is a mere moment of inability,
but you are able for you are not half a being.
You are a whole that exists to live a life,
not half a life.

– Khalil Gibran

Featured

residuum

“The Distances They Keep”, Howard Nemerov, the blue swallows, 1967


this is no time
to evict
centipedes,
spiders,
the occasional, lone
boxelder bug,
dozens of out-of-season ladybird beetles
or
the almost-always odorless stinkbugs

from
our houses

to do so now means certain death, outside

Continue reading “residuum”

memo to a particular poet

i am going to bed, now
at 7:08
to lessen the ache
of being awake

this is a poem
this is the business
of us, artists
this is our “business correspondence”

inform a collaborator
a coworker – if you will,
of your passwords and process
before taking those pills

my corazón has nearly bled-out
migrating across my torso, my limbs,
and my crown
settling into my cornflower blue eyes
bloodshot — with or without drops and disguise

Continue reading “memo to a particular poet”