someone

i feel like someone
you last loved on a wednesday,
earlier this week

i feel like someone who was once your intense singular joy/ but now and once again,

just an invisible naturalist, poet, neologist and crone

i feel like someone you forgot to mention the Hilma Af Klint show to

i feel like someone losing “our” intimacy
exponentially, by the second, against a shot clock in an un-united center

i feel like someone whose forehead you won’t kiss; whose hollows you’ll never touch with hands, tongue or tip; like someone who’ll never truly climax again

i feel like someone who upset you with
Dream[ing] and that’s where it all ended; like someone who never listened to your diatribe about Waco, or heard of your plane rituals and four-part fruition

i feel like someone whose mystery you’ll let be; like someone whose content was consumed without gnosis; like cold “leftovers”

i don’t feel like someone you will walk across a frozen Lake or Lake bed to get to anymore, during the apocalypse, Station Eleven-style Continue reading “someone”

Cardinal

ones

who stick

that stick

directions

virtues

numbers

sins

rules

& the hypocrites

whose pretentious cloaks

inspired the red birds’ name

cardinals are the ones

who won’t waiver

the birds who

stay

and stay

and stay

and show you

red in the green trees

red in the white snow

red in the gray rain

red in the yellow light

when

the rest

in the Great Lakes,

the Middle West

have moved on

after using/plundering

land, hearts, bodies, souls

for

migration,

they stay on

humbly

undemanding

count the red birds

count on them

they stay.

She was not a Grandmother

She was nearing 70 years, She said

She grew up poor, elsewhere, She said

And moved to a city

on the Great Lakes, She said

She had small talk

to match her limited, incurious mind

She had a wide, open mouth with sharp teeth

her ears closed

except to gossip

her eyes closed

except to covet

her biting, venomous speech

poisoning innocent, impressionable hearts

Continue reading “She was not a Grandmother”

With a tail as big as a kite. With a tail as big as a kite.

she strained her eyes
what is that dark lump
in the road
traveling into her throat




Out she went
sighting the black beauty
from fifty paces
nearer, the bright blood
pooling beneath ki’s face

Did he even try to brake
or swerve?
“no”, the tracks and trees say

Maybe the driver didn’t see
the pitch black, moving body
against the snowy white, otherwise red dirt road?

Maybe ki darted out,
in front of the royal blue truck
a truck fit for a rural king
[doubt of the beneficent on Christmas]

machines
everywhere
machines

carssawsgunsplowsshipsplanesmillstractorsthrowersdozerstruckscombines
boatsturbinesrigsdredgerstrainsbargesroadsrailharborspipeshousesbridges
wellshighwayssewersstructuresquarriesreactorspowerlinesstreetslotsculde
sacsfencessatelliteslockscelltowerssignsculvertswallsdockslandfillsdams

she gently pincers the end of ki’s gorgeous black tail
gingerly pulling kin off the road
redundantly committing ki’s spirit
to the universe, aloud
with apologies for humankind, silently

purposefully committing kin’s body
to a safer spot
for mourning
and carrion feast

Ki’s body was unexpectedly heavy
full of walnuts and seeds
fat and strong for a long winter ahead
so alive just minutes ago, I saw out the window


I’m sorry
I’m sorry
for me
for my kind
for our machines
for our structures
for our carelessness
for our selfishness
for all this,
engineered, manufactured, destroyed


the falling snow christens quick

she wanted to go inside
and sob
selfishly,
because the possibility
of an aberrantly painless holyday
ceased with the dead black squirrel Continue reading “With a tail as big as a kite. With a tail as big as a kite.”

Crown

my hair holds memory,
i know this because

i cut my own hair today




20151002_1838021772227513.jpg
her, at ten.




as i held the ends

in my hands

i said

 

did you touch the Merced with me and my boy?

i said,

do you remember my father?

and my other precious loss?

i said,

do you remember the first dog?

i said,

were you here when

i still loved

and was loved?

i said,

you were there when my mother was so near death’s door

i said,

and when i found and lost,

and lost and found, my Self again?

smiles
sighs
cries
laughs
rage
wail
and
song

i still have possessions from all those times

and places,

but no skin,

my skin long shed, my bone resorbed

and renewed over and over

but my long hair is still me from many years ago

that is why hair is so precious,

i thought,

this is the genesis

of what i have always

mistook as phobia

but no,

i know today

that

physical memory is held particularly, and only, in my hair

more than Samsonian

or vanity

or femininity

my long hair

is

my body
my health
my energy
my sensation
my emotion
my years
my identity
my essence

thank you

for growing

for remembering

for showing

for staying

for flowing

for tangling

for blowing

for graying

for glowing

for floating

for knowing

with me

all these years

 

no more cuts
without ceremony

and,

i promise
i will never agree to lose you

mason

the art

I’m conjuring

creating

constructing

may

hurt

you
but

it is

not[hing]

for

about

[to] [do] with

you

 
where I am
you cannot be

where I stand
there is no room

where I go
you cannot come

what I know
you cannot know

the space in me you long ago preempted
to over-fill with you

and later

cut,
carved
and
hollowed out

I’ve begun filling and patching with

my Self

by myself

and my mortar is nearly set

Open

I walk bare

out in the open

the Sun, Moon, Rain, Wind, Clouds, Sky and Stars
kiss me at all hours

did you see me open up
this Autumn?

after a Summer spent wailing,
wet, yet fruitless

after a Spring spent wading into lies instead of soft blossoms and new grass
Winter approaches, maybe the frost will kill this disease,
for good

I bathe

nearly naked in sunshine, cold rainstorms, in wetland pools and moonlight

unapologetically

|out in the open|

unabashedly

baptising
my face,
hair,
and eyes,
my breasts
vulva
and legs,
my lips,
throat,
spine,
and my wild heart

ceremonially, first
with wine, like Magdalene, anointing and anointed,
in the name of the Mother, Sun and holy ghosts

|a cabernet henna|

then, with rainwater from the willow’s edge, like Ophelia,
lying in the woodland and meadow, flooded
to cleanse or drown [to live, or not to live]
in the name of the Moon

|I ponder the stone cistern laden with glacial deposits and ruminant bones|

the woodland is abundant with new mushroom, new overnight growth

the hint of ancient circles supplants my judgment with instinct
and overrides decorum with new delights

|and old delights, revisited |

an aged grapevine is rooted deep, climbing, trailing, snaking
hidden in plain sight, everywhere
and I’ve intuited It as Ol’ Scratch,
I take a hatchet to quell Its influence, here

You,
Your windows are not true eyes
Your lamps are not enlightenment

So, bless the dark

of the night

of the country night sky

And the Moonset

of my moon

it’s been decades,
but
this place wants to birth or impregnate me,

and I want that too
i want it to

|I come here and open up|

 

 

Violets: a true loss story

The violets that remind you of your dear
great grandmother’s dining room
on Oakdale Avenue
African violets in purple, lilac, lavender, and pink on a plant stand near a dark window by the olive green telephone on the wall

The Violets that remind you of your first, truest love’s breath
Lavender-perfumed chalky candy squares
Choward’s Mints in dark purple foil sleeves
from the corner store

/

But you were not one of their truest loves

//

the once-loving matriarch forgot you when the child stolen from El Salvador arrived/
a baby smuggled across nations
yet, this was not a rescue mission for an orphan, no, this boy had a living mami / instead, it was a long distance shopping trip for a wom[b][an] whose insides were spoiled by lust and greed
For one who coveted, but then drowned in the role of motherhood
yet she still swam deep in men,
floated in luxurious possessions; everything, everyone, an acquisition to her

The woman unbecame your Grammaw and became the boy’s “Mimi” – solely and wholly his / She once accused you of lifting $20 from her purse when you ran away from home and snuck into her house to rest and pee / She accused you of this – of theft
even after her own daughter poached a child from a sovereign state, kited checks, pawned stolen jewelry and defrauded the housing authority / Mimi was silent, or complicit, in all those crimes

I never stole a coin or a child – or a permanent part of anyone’s heart

in 1999,
you still went to her home, anointed her hands and face with oil and tenderness,
preparing her living body for the
grave,
while telling her you loved her so much, truthfully.
You went because you knew
Instinctively
that she was dying – alone – in her own house with the boy and his imitation of a mother, her imitation of a daughter

Her violets were wilting fast — thirsty and unpruned from the neglect of her intentionally chosen beloveds and heirs who owned both her home and her heart / she foreseeing her own ghostly humiliation before the mortician’s eyes

She died the very next day

///

The Violets that remind you of Him,
your first love,
of his breath and kisses in a dark gangway or anywhere hidden
that sweet ingredient imbued in the deep amalgam of his scent
a pheromonic candy –

yet those same Violets remind Him only
of his first, unrequited, true love
he, pining for a brown-eyed, olive-skinned , spaniard, brunette girl
who virginally metamorphised into a pregnant, 16 year-old sacred cow
She only loved boys with slicked-back, jet black hair, the ones who wore silky shirts and baggies
Her heart [and legs] wide open
only for boys with names like Erasmo, Jorgey, Hector

She made Him godfather to the baby boy instead of the father or stepfather
He wanted to be,
despite his bended knee, promises,
and all the begging, lusting, cuckolding, and undying loving/

silly rabbit.

Even now, He still scours gas stations and neighborhood liquor stores for the rare Violets to send to Her by mail, innocently asking the ‘substitute her’ for postage, a box, and “oh, some packing tape?”

The first Her is slick, broke(n) and old / but She is still the most beautiful of face, skin, voice and heart – to Him / He keeps ancient yarn ribbons from Her hair in a little boy’s treasure box in their now-broken-trust home / He, a pseudo-Nicholas Sparks romantic for Her / but He forgot the poem you wrote for Him just last year, on his birthday: Agape

She sends Him photos of Her vanity days and yesteryear Glamour Shots™️, gun poses and grandkids / While He sends Her photos of our adventures and of the one, truly Golden Boy – my boy – by text message all instantly viewed on the Gulf Coast/

All of this betrayal to garner Her sunnied emoji smiles and shallow sentiments xoxoxo 🙂 ❤️❤️❤️

While the ‘substitute her’ bared her real teeth and wore conflicted emotions on her face in the photos – and in the very moment they were living in/

Now, she just looks and laughs
at the the pathetic, silly rabbit – holding his smartphone – googling cures for baldness, grey beards and stamina before Her June visit

////

To the one dead and to the one living :
Violets remind me of you

/////

(Pray that ash takes its place, soon
Or that I relocate in space, soon)

Famêlée

10600441_1311270905555418_268641145937541608_n



This feels like an arrow
Made from a tree
That rose from
An acorn
That I gathered and stored
In another life

Scribed with a message continually
piercing my heart

I wasn’t only wounded though,
I was woke
into a clarity
that I was already sighting in my dreams,
writing with words
mortal and eternal

You once said, proclaimed or whispered
Every single thing
that I ever believed
My own truths embarrassed in the shadow of your confidence
My inner voice silenced in your animated persuasion
Believing you so completely – for the better of my years
Becoming like and unlike you because of it,
but not be-coming me,
Un-be-coming me every day

I ain’t even mad
You don’t know this – still,
You don’t want
to hear,
or listen;

Our time is running out
Even this admission
Is sure to haunt me one day,
and guilts me today

But I can’t call you confidant or crone
If you refuse to learn,
to evolve,
From this one archetype

The wide and long view
seems to escape you
You live in the moment in the least way, the worst way
And I don’t worship here or there, any more
The faith in your godliness is gone,
It is unfamiliar
For me to pity you
You, deaf and tone deaf

You had all the answers
In the morning shallows, perhaps
But evaporation revealed even those
Were anchor-less, yet stationary
An algae
Mucking up the colorless perfection of sunlit water

But in the deep, or dark, or quiet pools, you were always so lost
And in the ocean, at night
You drown even in its calm
You have ridden civil swells and storms,
I’ll give you that
But have you ever communed with waves
Allowing them to be part of you
Swallowing and absorbing the mystery
Becoming the colorless perfection of dark water

You seem to stay parched
Your belly’s hollow from impious fasting and pious thirst
You do know that’s where your heart sits?

But let’s agree to come around again, friend
We’ll swap places and next time
I’ll be the mother,
and the son,
and the husband,
and the elder,
and the babe,
and the foreign one,
I’ll become The Other One
because,
I want the chance to know
You

 

Her, me.

Licensed under Creative Commons https://www.flickr.com/photos/curiouslee/11937802674
Created by Mike Lee. https://www.flickr.com/photos/curiouslee/ Licensed for use under Creative Commons

I learn so many new things each day, that I feel like Samantha, the AI operating system OS¹ in Spike Jonze’s film, “Her”.

It’s as if I am birthing myself out of my own ignorance each and every day.
– kimtnt ⊕

20141007_183235
Rooftop. photo by: kimtnt

The Bottom (RV)

https://www.flickr.com/photos/isawnyu/5885591721/in/photostream/
The Well at Kom Ombo AWIB-ISAW: The Well at Kom Ombo A deep well at the Ptolemaic temple at Kom Ombo, which functioned as a nilometer. The well is also thought to have been used in the ritual worship of the crocodile. by Iris Fernandez (2009) copyright: 2009 Iris Fernandez (used with permission) photographed place: Omboi (Kom Ombo) [pleiades.stoa.org/places/606346]
 

 

Get to the bottom of this.

This, means You
Get to the bottom – of Your Self

Do you have to be thrown
down the well
through loss, by the grave, or near-grave

What if
instead,
we pulled the rug out from under ourselves
to reveal the formidable trap door

What if we climbed down into the dark cellar, willingly

to enter our infinite interior
to touch the well
the ancient aquifer within
where the gods reside and respite with our Twin Selves,
our other-halves waiting for discovery

This infinite, eternal presence
be-neath our weathered houses

What if we willingly descended
Into it
Unto it

And we learned to crave the Original Dark
and its companionship

Where we delve deep into our imaginations, dreams, nightmares,
That connect us primally
to the pool of imaginations, dreams and nightmares of every one,
Of every being that ever existed

Collective Unconscious
made Self Conscious

The dark, deep well
we may all draw from

Pour out your false light
reveal the truth:
the unbearable emptiness of being

Cup your hands
Or wade into the well
Deeper and deeper
submerge, swallow
you’ve been bone dry for so long
Do you see that now?

Baptize
The only way
To rebirth yourself
Into something worth birthing
Into something worth being
is by this sacrament, anticeremonially, un-ceremonially

Knowing now the bottom is
The only place where alchemy happens

Where wine is turned into eternal water,
instead of that story first told to you, by them Continue reading “The Bottom (RV)”