Easter

a version of this foto essay was first published

April 2019


Spring is life.

A mother rabbit birthed at least three bunnies in a niche of the house – enclosed on three sides with only a northern mossy exposure – mostly safe and hidden from owls, hawks and coyotes. They nibble on young dandelion and clover leaves. They are joy.



My one and only baby’s very first Easter and Spring. A surprise of daffodils under a white oak tree at our first house and home on Grace Street in Chicago. Mother, son, full of grace.



I don’t know where the stuffed white rabbit with pink, acrylic eyes and pink, satin ears came from — exactly. But I’ve had it forever, before memory, so I pretend that it was presented to the baby girl born in late October, just before Halloween. Or gifted to the baby girl on her first Easter. Or won for the toddler girl at her first carnival.



Before I was a mother to a boy, I — an only child — was a teenaged auntie to a beautiful boy named +Tony+ [Giovanni Anthony Martinez] born in Spring 1986. I learned from him that I might become a mother to a son one day even though I was sure I was meant only to be a mother to a daughter. And that, was a wonderful revelation.


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other, not past, lives

i dreamt
you loved me
and i still loved you

that, everyone understood as natural.

you were younger, a thoughtful fool
i was younger, a maiden on the cusp of mother, my claws were still retractable at your will

you met my father, the second one
you stripped off your shirt to flex for me
i wore a blue denim dress with white canvas shoes to impress you
you made me promise to never cut my hair

in this space time
no one else
ever had the chance to get hurt
no other lover had cried for us, yet
no children were born or known,
our future was only in my ovaries,

waiting for us

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bramble

the rain starts
then pummels
birds descend from their roosts in trees
they’d already abandoned feeders, baths, meadows and prairies
now queuing one by one
down into the bramble
grounding themselves
without air traffic controller directives and guidance
from the torrent of wind and rain
and possibly, hail

// how have i never noticed this procession/
this choreographed safety dance to firmament //

those manicured landscapes, lawns, shrubs
the “smithification” & “kleinschmidtification”
the topiarification,
the modernization,
the suburbanization,
then re-gentrification
— those perfectly clean lines of uniformity
and complicity,
their kempt lawns
and unbroken windows-theory obedience
to property values
none of that offers true shelter


nor do the hospitals, schools, mosques, designated safe zones, “humanitarian” airdrops on beaches ///

there is nothing in this natural or built World that escapes comparison to Gaza, right now,

not even native or migratory bird behavior observed during storms in Bucolia, America


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is this real life: zone of interest

happy saturday afternoon.

i am making a marinara, but i may pivot and make it a vegan bolognese, served over bucatini or vegan mushroom or eggplant ravioli.

i haven’t yet decided — while children are being genocided

by intentional starvation

in Gaza, Palestine.

there is famine in Sudan. And Congo. And Ethiopia, too.

how is this real life?

in 2024, while The World can watch from their screens. while knowing there is enough food in The World for all of them.

yet, here, i am deciding: between listening to a podcast about one of my favorite fellow outer-ruralers, Ted Kaczynski (the irony is not lost) — or, a pandora station mashup of caamp and uncle lucius – both bands, i first learned of from time with my son in wondrous and humbling wilderness landscapes and cozy lodging — or, continuing my Clarissa Pinkola Estes audio book the Power of the Crone Myths & Stories of the Wise Woman Archetype //

so many choices for dinner, intellectual stimulation or joy while i am safe and warm and mostly, whole.

how does this dichotomy exist?

that is rhetorical.

i feel the grief of helplessness most acutely when i am in the grocery store shopping for food and while i am preparing and cooking food — the most basic of human tasks //

a meadow in Michigan, The World.

this is a foto of golden-rosy light shining on the snow-covered meadow that i have the immense privilege to nurture, protect and observe, on land i occupy — at Sun’s peaceful, not violent, rise this morning — the precious snow all melted by afternoon

Crone tip :

when you glimpse the blaze of golden-rosy light, you must act instantly:

get to the window, get outside, with or without an artificial lens or shoes — because the glow is gone in less than minutes.

Human Earthling tip:

when you glimpse a genocide and famine you must act instantly:

you must speak out, loudly; you must resist in all possible ways; you must refuse to look away as you live life; you must do something, anything, to try and stop it; you must do anything, something to try and help other Earthlings; you must resist and “refuse to be an accomplice to genocide.”

Our World sits just outside of Gaza, of Palestine. We are All in the zone of interest, right now.

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poetry

World Poetry Day


an outdoor poetry post
in Albuquerque, New Mexico,
The World

may poetry posts and little free food pantries become as common as little free libraries — all three are such inspiring forms of praxes


a displayed poem:
“Brushing Teeth with my Sister after the Wake”

a wonderfully eccentric,
outdoor little [free] library & bench
in Albuquerque, New Mexico,
The World

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Spring in the time of genocide

light overcoming darkness
on half the sphere’s horizon
but no where else

the Sun shining a bit longer
on death
by war and famine and violence
each day now

the sphere of power willfully deluminating
our screens, the world, our souls

curating our light and dark, a false, distorted, disorienting equinox

that’s only half of it


we close our eyes to it

we go to the cinema
we wear darker sunglasses
we look eternally west instead of east
we put a ballot into a black hole, and
pretend sunshine might escape, emerge from it

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F R e E P a L e sT I nE

Truly, one of the greatest evocative and provocative living contemporary artists, Survivance/resistance/futurist writers, and performance poets,

Diné artist Demian DinéYazhi’ ingeniously embedded “Free Palestine” in the flickering letters of their powerful, poemic-neon artwork ⁦at the Whitney Museum’s Whitney Biennial

we must stop imagining destruction + extraction + deforestation + cages + torture + displacement + surveillance + genocide!

we must stop predicting apocalypses + fascist governments + capitalist hierarchies!

we must pursue + predict + imagine routes toward liberation!

~ Demian DinéYazhi’

poemic-neon artwork: “we must stop imagining apocalypse/genocide + we must imagine liberation.”

we must stop imagining destruction + extraction + deforestation + cages + torture + displacement + surveillance + genocide!

photo by: Nora Gomez-Strauss

we must stop predicting apocalypses + fascist governments + capitalist hierarchies!

photo by: Nick Mathews

we must pursue + predict + imagine routes toward liberation!

photo by: Field Kallop

the institution & curators were unaware;

yet “Free Palestine”

was intermittently revealed for those with the patience to observe the piece

the entire artwork faces out toward the Hudson River for all to see:

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the insistence of blackbirds singing in the dead of day

the red-winged black birds
brown-headed cowbirds
starlings
& common grackles are here
roosting in old elm and black walnut trees
talking,
singing
by the way,
they are not common-looking:
their head feathers are a gorgeous
iridescent peacock blue
of course the Crows are here:
they live here


by the way,

i am making a black walnut banana bread
with overripened bananas

i can’t not eat these 3 bananas, somehow;

i cannot give them up to compost, or set them out for possums, raccoons this time / i have to eat them, use them, myself — right this minute

i insist //

have you seen the children’s rib cages, eye sockets, skulls, their femurs

i saw the same emaciation, wasting of my friend’s body / stage 4 metastatic cancer / it was my first time seeing starvation up close and personal

but this is not cellular cancer.

there is a known cure! //

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ambition[less]

what a strange modern creature
she is
wholly without ambition
this is not to say,
without competition
or without temptation to unfollow her path

she became so perplexingly contented,
in her own self, so grounded in herself, nearly buried

that she simply forgot she was actually vulnerable, alive and living

there were times, few, when others,
almost always men, offered or lured
her a temporary or false loft, telling her things about herself she already knew

validation is one helluva drug

and she had emanated a buoyancy, a life raft for lost souls, for arrested seekers /
a maiden’s heel in her, that she despised
she latching onto their empty breast, for some external re-nourishment
but they were hollowed out and filled in with ego, lies or greed

wholly devoid of the rich blood of life
their milk, bland, defective or impotent

while allowing their needy suckle to drain and diminish her ////

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rural, march, morning, sunday sky, 2024

i wake up pre-dawn
and light a candle

the wind, pristine and strong,
whistling cold through an opened window
my preferred lullaby for a few hours more

i wake again,
this time, my home revolving into the
ancient light

and to familiar jurassic sounds
vocalizations of sandhill cranes

my bed is warmed by vintage wool and living fur
/ like my ancestors, sort of /

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