Category: Jungian
art appreciation: thresholds
first in a series
The Entrance Gate on the far bank of The River Tuoni according to the Kalevala and as depicted by Finnish artist Hugo Simberg
oil on canvas
Hugo Simberg, 1873-1917
Finland
In this piece, which is an interpretation of one of many universal myths which impart the water crossing and trek we all are to embark upon after death,
most of the departed climb up the steep, barren embankment and enter the tunnel individually, while a child and a dog are tenderly escorted — led by the hand or carried by chthonic monks into the tunnel leading to the
Underworld
the tunnel appears under geological strata — presumably the surface of Earth, with blue sky and forest in background above it
interestingly, the artist’s limited use of perspective also allows the sky and forest to be viewed potentially as the Great Beyond itself — as a Northern or Alpine “paradise,” a Valhalla, beyond the sojourn in and through the tunnel
a high, solid, wooden fence bisects the river, embankment and tunnel and prevents arrivals from observing the exiting monks — only one-way vision and traffic for the dead
and while the monks do not cast shadows, the human figures continue to be accompanied by their shadows; for those who subscribe to Jungian analytical psychology or gnostic texts, the physical shadow depicted may be interpreted symbolically as the anima/animus of the person — which would ultimately disappear during the tunnel upon the full reintegration of the Self/Soul/Spirit
through re-unification with one’s divine twin (which is sometimes also called the cosmic/celestial twin or daimon) after having been separated during human incarnation and birth.
author’s note:
i often and prefer to call the underworld aka afterlife “The Great Wide Open of the All” — which in my liminal gleanings is a supremely contented blackness of universal consciousness, devoid of thought or sensation — a perfected existence in the dark cosmic fabric of nothingness,
there may be levels in the afterlife which may manifest our own personal imaginal constructs of paradise — far beyond what our limited sensory perception and experiences of life on Earth are - such as, an Alpine Paradise upon emerging from the tunnel -
i know full well the breathtaking beauty and feeling upon exiting a scary and lengthy mountain tunnel where my heart and eyes are stunned by a grand vista of forest, peaks and sky — from my many road trips in the Western U.S.
yet, i truly prefer the former — when i die, i want to rest for all eternity — although with just one desire, one sensation: warmth.
Continue reading “art appreciation: thresholds”
dream: morning of 9.2.2023
i had a baby —
i kept forgetting to completely nurse him
he would latch and suckle, but because i was distracted, i would never fully feed him, and he was malnourished, but this sweet baby never cried / nor complained
he was happy and content with what i gave him, smiling always at me
but then
i lost/misplaced him somewhere
they/all assumed he had been taken/abducted
but i felt sure i had just misplaced him /
it seemed we looked everywhere in and around our home
and the second time searching the house,
i found him in the refrigerator on the top shelf
in the back
his white skin and pastel clothing blending in with the milk and pale juice jugs
he was there on that shelf all along
i had apparently placed him in there with the milk — perhaps so he could eat/
he had died in there
from asphyxiation
it was an accident,
and i understood that
i was unwell, forgetful, incompetent and losing my mind [although in my dream i don’t know the exact concepts of postpartum or postpartum psychosis]
everyone else does not understand that it was absolutely an innocent act, a tragic accident
they are disgusted with me, violently angry with me and
want me to be punished, arrested, sentenced to prison or maybe put to death
for accidentally forgetting my baby, for misplacing and inadvertently killing my baby — in the refrigerator
snow white and the seven, or so, gnomes
The Gnostic is neither an ascetic nor a theologian and need not even be particularly religious in the conventional way. The Gnostic is an artist. The Gnostic's brushes, colors, and canvasses are her own body, his own psyche. The Gnostic's technique is one of living and observing life and recognizing it for what it is, without illusions of security, glamor, or despair.
The Gnostic continually explores, always seeking the core of the nature of things. But gnosis, like art, cannot be taught. The flame of living gnosis awakens and rises of its own accord. All we can provide is a nest within our heart, a sanctuary of repose where the breath of the Infinite may whisper its secrets.
—Rosamonde Ishvàku Miller, The Experience of Gnosis. Full article published in The Allure of Gnosticism, Pg. 203, ed. Segal et al, Illinois, USA, Open Court Publishing Company, 1995.
gnome (n.2) "short, pithy statement of general truth," 1570s, from Greek gnōmē "judgment, opinion; maxim, fthe opinion of wise men," from PIE root *gno- "to know."
an all-time favorite by
Saint Hoax
2015/2016
Carl Jung: if you become radically vulnerable and true to yourself — through your life’s expression, you will attract your people
“Neither propaganda nor exhibitionist confessions are needed.
If the archetype, which is universal, i.e., identical with itself always and anywhere, is properly dealt with in one place only, it is influenced as a whole, i.e. simultaneously and everywhere.
Thus an old alchemist gave the following consolation to one of his disciples:
“No matter how isolated you are and how lonely you feel, if you do your work truly and conscientiously, unknown friends will come and seek you.”
It seems to me that nothing essential has ever been lost, because the matrix is ever present within us and from this it can and will be reproduced if needed.
But only those can recover it who have learned the art of averting their eyes from the blinding light of current opinion, and close their ears to the noise of ephemeral slogans.”
– Carl Gustav Jung: Letters, Volume II, p. 595
Continue reading “Carl Jung: if you become radically vulnerable and true to yourself — through your life’s expression, you will attract your people”Famêlée
This feels like an arrow
Made from a tree
That rose from
An acorn
That I gathered and stored
In another life
Scribed with a message continually
piercing my heart
I wasn’t only wounded though,
I was woke
into a clarity
that I was already sighting in my dreams,
writing with words
mortal and eternal
You once said, proclaimed or whispered
Every single thing
that I ever believed
My own truths embarrassed in the shadow of your confidence
My inner voice silenced in your animated persuasion
Believing you so completely – for the better of my years
Becoming like and unlike you because of it,
but not be-coming me,
Un-be-coming me every day
I ain’t even mad
You don’t know this – still,
You don’t want
to hear,
or listen;
Our time is running out
Even this admission
Is sure to haunt me one day,
and guilts me today
But I can’t call you confidant or crone
If you refuse to learn,
to evolve,
From this one archetype
The wide and long view
seems to escape you
You live in the moment in the least way, the worst way
And I don’t worship here or there, any more
The faith in your godliness is gone,
It is unfamiliar
For me to pity you
You, deaf and tone deaf
You had all the answers
In the morning shallows, perhaps
But evaporation revealed even those
Were anchor-less, yet stationary
An algae
Mucking up the colorless perfection of sunlit water
But in the deep, or dark, or quiet pools, you were always so lost
And in the ocean, at night
You drown even in its calm
You have ridden civil swells and storms,
I’ll give you that
But have you ever communed with waves
Allowing them to be part of you
Swallowing and absorbing the mystery
Becoming the colorless perfection of dark water
You seem to stay parched
Your belly’s hollow from impious fasting and pious thirst
You do know that’s where your heart sits?
But let’s agree to come around again, friend
We’ll swap places and next time
I’ll be the mother,
and the son,
and the husband,
and the elder,
and the babe,
and the foreign one,
I’ll become The Other One
because,
I want the chance to know
You
Her, me.
I learn so many new things each day, that I feel like Samantha, the AI operating system OS¹ in Spike Jonze’s film, “Her”.
It’s as if I am birthing myself out of my own ignorance each and every day.
– kimtnt ⊕
The Bottom (RV)
Get to the bottom of this.
This, means You
Get to the bottom – of Your Self
Do you have to be thrown
down the well
through loss, by the grave, or near-grave
What if
instead,
we pulled the rug out from under ourselves
to reveal the formidable trap door
What if we climbed down into the dark cellar, willingly
to enter our infinite interior
to touch the well
the ancient aquifer within
where the gods reside and respite with our Twin Selves,
our other-halves waiting for discovery
This infinite, eternal presence
be-neath our weathered houses
What if we willingly descended
Into it
Unto it
And we learned to crave the Original Dark
and its companionship
Where we delve deep into our imaginations, dreams, nightmares,
That connect us primally
to the pool of imaginations, dreams and nightmares of every one,
Of every being that ever existed
Collective Unconscious
made Self Conscious
The dark, deep well
we may all draw from
Pour out your false light
reveal the truth:
the unbearable emptiness of being
Cup your hands
Or wade into the well
Deeper and deeper
submerge, swallow
you’ve been bone dry for so long
Do you see that now?
Baptize
The only way
To rebirth yourself
Into something worth birthing
Into something worth being
is by this sacrament, anticeremonially, un-ceremonially
Knowing now the bottom is
The only place where alchemy happens
Where wine is turned into eternal water,
instead of that story first told to you, by them Continue reading “The Bottom (RV)”
dream[t] poetry: Visitation
A man who wore a kelly green shirt
Surprised me in my dream
Crashed on my grandmother’s couch
swathed in blankets, soft and deep
I don’t ask him why he’s there,
It seems we both already know
This room’s exactly where she died,
This Oakdale house, sold long ago
Still, worried that as she ‘rived “home”
He’d given her a fright,
I go to wake her, see her, touch her . . .
What a beautiful, strange night.
He says, “No need to wake her now,
she’s a gem, it’s all okay,
she didn’t seem to mind me here,
I inferred that I might stay?”
I shush’d us, not to rouse her then,
Sound asleep in her old twin bed,
In disbelief, I hear her breathe
Has our connection stirred the Dead?
I feel wondrous, but then remembrance
forges space for Cardinal guilts
Smiling devilishly, making room for me,
he pats the couch and parts the quilts.
the limineen | earthling, poet & crone 