Sylvia Dickinson Edgar Anne Hughes


Star — the starling, on the evening of July 7, 2024

every poet should know the company of a wild bird, at least once

i recently binged the biography:

“The Occult Sylvia Plath: The Hidden Spiritual Life of the Visionary Poet” by life-long Plath scholar Julia Gordon-Bramer

i feel fortunate this book was my introduction to Plath and her poet husband, Ted Hughes— and other significant influences in her life and poetry /

hat tip to my long-time favorite podcast: Aeon Byte Gnostic Radio — created and hosted by Miguel Conner at The Virtual Alexandria for interviewing Gordon-Bramer, because, for the first time ever, i was actually interested in Plath — and furthermore, i unexpectedly experienced a psychic “something” with Plath while listening to the audiobook; this “something” — i want to digest, explore – and possibly explain, in detail, in a future essay //


The Occult Sylvia Plath: The Hidden Spiritual Life of the Visionary Poet

Julia Gordon-Bramer

while i imbibed this book, i was simultaneously raising an injured and orphaned starling nestling — on an intensive feeding schedule — and during this time, i learned from the book, that Sylvia and Ted also attempted to rescue an injured and sick baby bird — but after a week, and upon determining rehabilitation was futile, they jointly and sadly euthanized the bird in their gas oven (i know. wow.) ///

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the reincarnation of sylvia plath

this was the summer of
broken limbs on trees, animals — and men
this was the summer of
the fuck-it, no-good vegetable garden
this was the summer of
“not this year”, “but, maybe next,” — again
this was the summer of
the i-still-can’t-believe-she’s-dead birthday
this was the summer of
nesting swallows, wicked sparrows, and a fallen starling nestling, whom she fed, and kept in her pocket for future starlight
this was the summer of
hanging baskets heavy with rainbow gazanias and pots full of midnight black petunias — for balance — incessant dead-heading and concrete stains, a small price
this was the summer of
the blue serpent; of serpentine bracelets and of the serpent-printed dress — she to be photographed on this land with the flowers, the dog and the bird, like Frida
this was the summer of
first-realizing she may be the reincarnation of the spirit once-embodied in
Sylvia Plath


Sylvia Plath & her crystal gazing ball.
photo: Eric Stahlberg, 1954
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definition | author | proof of life:


foremost Earthling, crone,
and mother to a golden boy;
nightly traveler into liminality;
mostly obeisant
to intuition & premonition;
poet, writer;
heart-sleeved,
bleeding heart pessimist;
devoted friend of crows (at last),
meadow-restorer/tender,
& long-lost sister to snakes, bats and coyotes,
deer & bluebird whisperer,
seed saver, food grower,
an admirer and propagator
of lilacs, hydrangeas,
sycamores, mulberries, pawpaws and oaks;
dna-tested kin to goldenrod, milkweed,
bison, cottonwoods, thistle and monarchs;
wader into ephemeral and glacial
lakes and deep snow;
Moon’s luminous, loyal daughter
& Sun’s prodigal, ever-questioning shadow
equally;
devout, ecstatic
desert, forest and river worshipper;
reverent of and humbly deferent to
bear, wolf, moose, elk & bighorn sheep and hummingbirds;
a mountain, canyon, valley,
prairie and beach walker;


i swam and swam and swam my way alive.

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popular!

the path of the hylic

she had always prized
quantity over quality
with both people and money
never interrogating
the integrity or provenance of either

never asking the hard questions of herself

nor pursuing the big ones,

now,

she’s left only with errant glitter,

an impotent wand,

a cortège of pink fools,

her plated crown of paste jewels, atop her head, askew

you see, i knew that was all distraction, decoy, masked unconfidence

home, is within your Self

so, i chose to be [come] “Wicked”,

i wear my gold

in my bones,

in my blood.

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night falls, late july

nightfall
proceeds like this

small rodentia head under, in or up,
mourning doves perform a vigorous last forage,
hummingbirds, always reliable for last call, drink up/
rabbits boldly show out in numbers to spaghetti-slurp dandelion, plantain and clover stems/
barn and tree swallows own the lower troposphere

red-winged blackbirds
cardinals, and robins
in that exact order
loudly call everyone home for the night

the air surrenders to insects,
the sky — to bats, beautifully acrobatic /hey!/
cottonwood or black walnut trees will host owls on supremely, rare summer evenings

moths, beetles take the lamps
frogs take the sidewalks, steps, stoop,
walls, windows,
and eventually, the lamps too/
toads pace and post sentry on barn thresholds

deer passage through — or bed down
in the tall unmowed grasses, now properly – a prairie, a meadow,
natural salt licks — and halved, quartered and whole apples,
are my selfishly generous lures ’til autumn’s own bounty

coyotes herald the Moon
or the first dark train,
depending on the phase,

lightning bugs mimic eye-level stars,
golden-gold like our Sun and in asynchronous constellations

raccoons strategize, then raid, but i know to expect them now
possums about their business — quiet, slow, sweet — these, my dear ones, stay a while, please

cricketsong
errant cicadas, what year is it, again?
and incessant croaking, banjoing, ribbitting

fog may appear,
then settle — or lift,

or maybe the night is sultry, still or clear

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Cronehood: the imperative, work, province and privilege of becoming truth and living truthfully in the depths

Ageing is no accident. It is necessary to the human condition, intended by the soul. We become more characteristic of who we are simply by lasting into later years; the older we become, the more our true natures emerge. Thus the final years have a very important purpose:

the fulfilment and confirmation of one’s character.

- James Hillman

“Life is a farce if a person does not serve truth.”

- Hilma af Klint

“A crone is a woman who has found her voice. She knows that silence is consent. This is a quality that makes older women feared. It is not the innocent voice of a child who says, “the emperor has no clothes,” but the fierce truthfulness of the crone that is the voice of reality. Both the innocent child and the crone are seeing through the illusions, denials, or “spin” to the truth. But the crone knows about the deception and its consequences, and it angers her. Her fierceness springs from the heart, gives her courage, makes her a force to be reckoned with."

— Jean Shinoda Bolen

portrait of a crone
by a queen crone,
Lajuana Lampkins

"Women's most feared power over men is the power to say no. To refuse to take care of men. To refuse to service them sexually. To refuse to buy their products. To refuse to worship their God. To refuse to love them. Every therapist knows that sex can be forced, but no power in the world can force love from any woman who wishes to withhold it."

- Barbara Walker

“The Crone has been missing from our culture for so long that many women, particularly young girls, know nothing of her tutelage. Young girls in our society are not initiated by older women into womanhood with its accompanying dignity and power. 

Without the Crone, the task of belonging to oneself, of being a whole person, is virtually impossible.”

- Marion Woodman

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