Category: Crone

night falls, late july

On By ©️K.T. 2026In agraria, Arte Agraria, Arte Bucolia, Arte Ruralia, bucolia, Crone, earthlings, Garden of Eden, ki, kin, nightfall, outer rural, Poem, poet, poetry, ruralia, witchLeave a comment

nightfall
proceeds like this

small rodentia head under, in or up,
mourning doves perform a vigorous last forage,
hummingbirds, always reliable for last call, drink up/
rabbits boldly show out in numbers to spaghetti-slurp dandelion, plantain and clover stems/
barn and tree swallows own the lower troposphere

red-winged blackbirds
cardinals, and robins
in that exact order
loudly call everyone home for the night

the air surrenders to insects,
the sky — to bats, beautifully acrobatic /hey!/
cottonwood or black walnut trees will host owls on supremely, rare summer evenings

moths, beetles take the lamps
frogs take the sidewalks, steps, stoop,
walls, windows,
and eventually, the lamps too/
toads pace and post sentry on barn thresholds

deer passage through — or bed down
in the tall unmowed grasses, now properly – a prairie, a meadow,
natural salt licks — and halved, quartered and whole apples,
are my selfishly generous lures ’til autumn’s own bounty

coyotes herald the Moon
or the first dark train,
depending on the phase,

lightning bugs mimic eye-level stars,
golden-gold like our Sun and in asynchronous constellations

raccoons strategize, then raid, but i know to expect them now
possums about their business — quiet, slow, sweet — these, my dear ones, stay a while, please

cricketsong
errant cicadas, what year is it, again?
and incessant croaking, banjoing, ribbitting

fog may appear,
then settle — or lift,

or maybe the night is sultry, still or clear

Continue reading “night falls, late july” →

from the inner city to the outer rural:

On By ©️K.T. 2026In 2-flat, agraria, biographical, bucolia, Crone, crone chronicles, Earth hospice, Home, inner city, limineen, outer rural, planetary hospice, Portage Park, Rainy Lake Miami Meadow, ruralia, Stabilization, transformationLeave a comment

first in a series

new geographies

All movement is thirst.

Hafiz

she moved out of the city of them, into the country of Her Self

in January 2017, i impulsively yet instinctively, instinctually, bid on a house in the country — after viewing one listing on the internet employing the most banal search terms — and never having physically toured the interior of the house; after losing the first bid, and rebidding within minutes to spare, in the second round — as my unfamiliar real estate agent was at the gate at O’Hare about to board a plane for a Caribbean vacation, i won with a numerological bid (against the agent’s advice) and closed escrow on March 30th; then in late July, i abruptly and stunningly — listed my home of 22 years in the city — for-sale-by-owner— without even a for-sale sign and telling only a handful of people — selling it twice, the second time, successfully — also using numerology, in August; then closed sale and left for the country house on September 29th —

nine months time – a human gestation.

Continue reading “from the inner city to the outer rural:” →

“[S]he floats like a butterfly …”

On By ©️K.T. 2026In art, art criticism, artists, Black Artists, Black Women, Crone, Lajuana Lampkins, Mother, Muhammad Ali, Narrative, outsider art, Poem, poet, Reverence, street art, true things, women, WomenfolkLeave a comment
Muhammad Ali diptych
marker, paint, glue and chunky gold glitter
on 12”x12” square
gold metallic cardstock

These two gorgeous, requested works by the most gorgeous and extraordinary artist and person Mz. Lajuana Lampkins of Chicago.

You might find her making her art in the late night scene of her favorite spots in the Wicker Park/Bucktown neighborhoods of Chicago — or reach out to her on Instagram at Lajuana.Lampkins1 and peruse her art, her process and her community.

Lajuana Lampkins has had her art exhibited to great praise; she is a prolific and widely collected street artist; and she has edited and published a book of her late son’s essays, poetry and letters: The Collected Works of Prince Akbar AKA Jus Rhymz.

She is also a sister, aunt, friend, poet, community member and activist, writer, rapper, historian, archivist, fashionista, paralegal, social commentarian and modern philosopher — but most proudly, a mother, grandmother and great grandmother

— and to me, she epitomizes the Crone.


Champions aren’t made in the gyms. Champions are made from something they have deep inside them: a desire, a dream, a vision. They have to have last-minute stamina, they have to be a little faster, they have to have the skill and the will. But the will must be stronger than the skill.

Muhammad Ali

Mz. Lampkins works may be exhibited again in autumn 2023 in a community art show that she is hoping to create and develop —-and she aspires to publish her next non-fiction book in the nearer future.

She is also the subject of the forthcoming documentary “My Mother is An Artist” which follows Mz. Lampkins’s journey from 2019, eight years post-release from a 30 year incarceration as a wrongfully prosecuted and convicted young woman and mother —to 2023, as a working, locally-renown and yet-still-struggling artist living in these American systems of modern oppression and exploitation.

Continue reading ““[S]he floats like a butterfly …”” →

song[s] of my self: epigenetic lamentations

On By ©️K.T. 2026In Crone, Crone Consciousness, Epigenetic, Essay, Finnish, Knowledge, Lament, Lamentations, poet, poetryLeave a comment

During the summer of 2017 – a time of significant change in my life – including the rupture of my marriage, an upcoming “milestone” birthday, and a relocation to a quiet rural place with dark skies and an abundance of fauna and flora — I literally heard myself: I had unconsciously begun a meditative practice of singing or humming verses and melodies of sorrow, wonder, gratitude — or simply, of the mundane. They were autonomic and presumably original, lamentations.

then, serendipitously, I retroactively encountered a May 2017 piece published in Yes! magazine about the revival and history of “lament singing” in Finland.

To find that I was unconsciously, but actually, participating in a Finnish tradition that I had never experienced or even heard of — but that was somehow still within in me — in some cellular, trans-generational or ancestral place — felt like a bridge to my lineage — to all my unknown women-kin.

The lyrics and tunes occurred spontaneously over several months, and I often automatically repeated the same one over and over while working, cleaning, cooking, gardening, walking or driving. I sung or hummed them mostly while alone, but sometimes they would emerge aloud in public places — and I didn’t even realize that I was in song or know how long I had been doing it.

People who laugh, cry, sing and talk to themselves aloud in the street are not “crazy” — we are comforting, raging, celebrating, mocking and mourning ourselves, our lives, our experiences and the world.

Continue reading “song[s] of my self: epigenetic lamentations” →

life support: the breath of words

On By ©️K.T. 2026In Alchemy, Anais Nin, Crone, exposition, Quote, Words, WritingLeave a comment

We write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers.

We write to taste life twice, in the moment and in retrospection.

We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it.

We write to teach ourselves to speak with others, to record the journey into the labyrinth.

We write to expand our world when we feel strangled, or constricted, or lonely… If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don’t write because our culture has no use for it.

When I don’t write, I feel my world shrinking. I feel I am in prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.“

~ Anaïs Nin

Cronehood: the imperative, work, province and privilege of becoming truth and living truthfully in the depths

On By ©️K.T. 2026In Aging, Alchemy, Archetype, Crone, Crone Consciousness, Cronehood, exposition, Feminine, Fruition, grandmother, maiden, Mother, Sacred Feminine, witch, witchery, women, WomenfolkLeave a comment 
Ageing is no accident. It is necessary to the human condition, intended by the soul. We become more characteristic of who we are simply by lasting into later years; the older we become, the more our true natures emerge. Thus the final years have a very important purpose:

the fulfilment and confirmation of one’s character.

- James Hillman
“Life is a farce if a person does not serve truth.”

- Hilma af Klint
“A crone is a woman who has found her voice. She knows that silence is consent. This is a quality that makes older women feared. It is not the innocent voice of a child who says, “the emperor has no clothes,” but the fierce truthfulness of the crone that is the voice of reality. Both the innocent child and the crone are seeing through the illusions, denials, or “spin” to the truth. But the crone knows about the deception and its consequences, and it angers her. Her fierceness springs from the heart, gives her courage, makes her a force to be reckoned with."

— Jean Shinoda Bolen
portrait of a crone
by a queen crone,
Lajuana Lampkins
"Women's most feared power over men is the power to say no. To refuse to take care of men. To refuse to service them sexually. To refuse to buy their products. To refuse to worship their God. To refuse to love them. Every therapist knows that sex can be forced, but no power in the world can force love from any woman who wishes to withhold it."

- Barbara Walker
“The Crone has been missing from our culture for so long that many women, particularly young girls, know nothing of her tutelage. Young girls in our society are not initiated by older women into womanhood with its accompanying dignity and power. 

Without the Crone, the task of belonging to oneself, of being a whole person, is virtually impossible.” 

- Marion Woodman
Continue reading “Cronehood: the imperative, work, province and privilege of becoming truth and living truthfully in the depths” →

Stationed on the Crosses

On By ©️K.T. 2026In Crone, Crone Consciousness, Gnosis, Her, Lent, maiden, Mary Magdalene, Mother, Sacred Feminine, Tradition As Violence, Tradition Is Violence, womenLeave a comment

The CruX: historically, continually, and invisibly stationed by, and on the crosses of, men

women, womxn, womqn, womyn and girls have been both the cross-bearers and the crucified – ever since the unnatural and unholy “conception” of the Roman Catholic Church and all its subsequent patriarchal, misogynist Christian derivatives.

“Christa” – Edwina Sandys, 1975

the only, holy Trinity: maiden, mother, Ƈɾօղҽ

On By ©️K.T. 2026In Crone, Crone Consciousness, maiden, Mary Magdalene, Mother, The Trinity, women, WomenfolkLeave a comment

”As a symbol, the Crone had to be suppressed by patriarchal religions because her power ‘overruled the will even of Heavenly Father Zeus.’ She controlled the cycles of life and death. She was the Mother of God, the Nurturer of God, and, as a Crone, the Slayer of God. While Christianity retained the feminine as Virgin and Mother, it eliminated her role as Crone.”

-Marion Woodman, Dancing in the Flames, The Dark Goddess in the Transformation of Consciousness
Ƈɾօղҽ