399

The Queen, Mother and Grandmother Grizzly Bear,

the iconic Matriarch of Grand Teton National Park & the Greater Yellowstone Ecosystem


Monday morning, June 22, 2020,
Grand Teton National Park, Wyoming, US
The iconic and prolific female grizzly bear [399] — a mother and grandmother was in forage with her own eldest adult daughter [610] — also a mother, along with her cubs and grand cubs.

399, pictured here, who should be referred to respectfully as Grand Mother Bear, at the age of 24, in Spring of 2020 birthed four cubs [a rare, large litter no matter the age of the grizzly, but at 24, was truly astounding] was with 610, whom should be called Daughter Bear, who birthed two cubs as well.
All but two of the six cubs were mostly hidden by the deep sagebrush and dense fog.

What wild majesty to behold.
Lodged in my mind’s eye forevermore.

photo by: author

“Grizzly 399” is gone,

and this Autumn, and last, and every season in between have required so much Auden


Continue reading “399”

ATTN: AI Data/Content Trawler [or, Dear Human Reader]:

No part of the original writing, photos or any other content on this website aka the “blog” titled “The Limineen” or formerly known as the “The Velveteen Poet” or “The Accidental Seeker & Intentional Opiner” may be used or reproduced in any manner whatsoever for the purpose or intention to train artificial intelligence [AI] technologies, systems or language models;

additionally, all writing, photographs, uploads, screenshots, video files, audio files, or artworks are the sole copyright of the author, or were published with explicit or implicit permission,

— unless otherwise noted, linked or attributed;

the author expressly reserves all rights to the original content and works published on this website and all published works anywhere online including social media, and reserves rights from reuse without both permission and attributionand from any text and data mining exception laws.

*this post was inspired by Penguin Random House Books newly updated standard copyright page as reported by The Verge.

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phenology II

lilacs re-leaf, re-bloom
in October
hummingbird moths feed,


common lilacs [Syringa vulgaris]
— not cultivars —
in unprecedented re-leaf and re-bloom
October 12, 2024


and simultaneously,

She’s un-be-coming a human be-ing

She’s destined to,

we’re destined to, too


no
need to
tell me, explain
what’s happening

as constant witness,

as constant, remote witness to slaughter,

as constant gardener,

as constant tender,

as constant daughter,


i see.

i recognize.

i know,

Continue reading “phenology II”

chosen by swallows, finally

an ascetic’s petitionary prayer, answered


for six consecutive summers, i’ve observed barn swallows enter and inspect the barn — diving and swooping in and out, perching and chattering wholly unbothered by my presence — but not until this, my sixth summer, did they finally deem worthy and decide to make their nest on a joist in this old, ramshackle barn

to experience their nesting is such a tender mercy in the time of remote, yet constant virtual witness and heartrage of genocide, of global horrors and famine — and of the daily unnatural disasters and unrelenting evidence of abrupt, irreversible climate breakdown and biodiversity/ecosystems collapse.



barn swallow nest under construction,
june 9, 2024
Audobon’s Birds of America, Popular Edition,
1950, Macmillan,


*from the author’s collection of vintage books of North American birds, wildlife and insects


O swallows, swallows, poems are not The point. Finding again the world, That is the point, where loveliness Adorns intelligible things 
Because the mind’s eye lit the sun.

Howard Nemerov



Continue reading “chosen by swallows, finally”

sonlight [june 2004]

the author and her son in the Great Room of
the Old Faithful Inn, Yellowstone National Park,
Wyoming, June 2004

a lucky reservation for one night of lodging and a late dinner — made by telephone months earlier, but just barely early enough,

choosing sweaters to wear to dinner as the June Sun
finally sets / you and i match in black cotton ramie, always and still, my favorite

hungrily watching the clock, in the Great Room, nestled in the same chair by the colossal fireplace

we’d been camping the previous night, in a thunderstorm and downpour at Bridge Bay,
where we awoke to a bison’s grunting, and their immense shadow upon our tent;
we shared our griddled french toast breakfast and percolated coffee with a couple in a VW camper, who were no doubt younger than you are today in June, 2024

with our “Wildlife of Yellowstone” booklet, we identify an osprey perched above our heads in a pine tree as we pack up our camp — a first, for each of us

mudpots, fumaroles, bison herds, bison “jams”, pelicans, waterfalls, canyons, elk, towering basalt columns, sulfur, a wild river, geysers, marmots, hot springs — and Morning Glory Pool.

so many firsts, for me and you.

your shining, smiling face[s]
around that table
by candlelight

what a gift, what a day, what a dream
to share this exquisite meal with you, two,
in such a truly wild place

is this real life?

the clink of silverware
voices and laughter centered — and from every direction,

imply, “yes”.

Continue reading “sonlight [june 2004]”

she talks to serpents


says they call her out by her name


blue racer sunning themself beneath
the author’s window

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oh, April


“Why is the World so beautiful?”

Robin Wall Kimmerer

the almost-surreal beauty
of the evening
of the 29th day of April,
2024 CE
Cenozoic Era
Quarternary Period
Anthropocene Epoch
Michigan, North America

“Why is the World so beautiful?” asks, Dr. Robin Wall Kimmerer.

It didn’t have to be — the Earth could’ve been Big-Banged out into a uniform, utilitarian and dull rocky planet — evolving without bluebirds, banana trees and bioluminescent jellyfish — or April’s apple blossoms, golden-pink sky Sunsets, and frog choruses,

but it wasn’t.

have mercy.

Continue reading “oh, April”

a mantra, a prayer — and a message

for all the demons, monsters and liars, 
today and always, everywhere:
FUCK YOU IN PERPETUITY THROUGHOUT THE UNIVERSE
in every form known to man.
now and in the future.
artist: Ernesto Yerena Montenajo

limited edition hand-pulled screen print
Continue reading “a mantra, a prayer — and a message”