phenology II

lilacs re-leaf, re-bloom
in October
hummingbird moths feed,


common lilacs [Syringa vulgaris]
— not cultivars —
in unprecedented re-leaf and re-bloom
October 12, 2024


and simultaneously,

She’s un-be-coming a human be-ing

She’s destined to,

we’re destined to, too


no
need to
tell me, explain
what’s happening

as constant witness,

as constant, remote witness

to slaughter,

as constant gardener,

as constant tender,

as constant

daughter,


i see.

i recognize.

i know,

Continue reading “phenology II”

chosen by swallows, finally

an ascetic’s petitionary prayer, answered


for six consecutive summers, i’ve observed barn swallows enter and inspect the barn — diving and swooping in and out, perching and chattering wholly unbothered by my presence — but not until this, my sixth summer, did they finally deem worthy and decide to make their nest on a joist in this old, ramshackle barn

to experience their nesting is such a tender mercy in the time of remote, yet constant virtual witness and heartrage of genocide, of global horrors and famine — and of the daily unnatural disasters and unrelenting evidence of abrupt, irreversible climate breakdown and biodiversity/ecosystems collapse.



barn swallow nest under construction,
june 9, 2024
Audobon’s Birds of America, Popular Edition,
1950, Macmillan,


*from the author’s collection of vintage books of North American birds, wildlife and insects


O swallows, swallows, poems are not The point. Finding again the world, That is the point, where loveliness Adorns intelligible things 
Because the mind’s eye lit the sun.

Howard Nemerov



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she talks to serpents


says they call her out by her name


blue racer sunning themself beneath
the author’s window

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oh, April


“Why is the World so beautiful?”

Robin Wall Kimmerer

the almost-surreal beauty
of the evening
of the 29th day of April,
2024 CE
Cenozoic Era
Quarternary Period
Anthropocene Epoch
Michigan, North America

“Why is the World so beautiful?” asks, Dr. Robin Wall Kimmerer.

It didn’t have to be — the Earth could’ve been Big-Banged out into a uniform, utilitarian and dull rocky planet — evolving without bluebirds, banana trees and bioluminescent jellyfish — or April’s apple blossoms, golden-pink sky Sunsets, and frog choruses,

but it wasn’t.

have mercy.

Continue reading “oh, April”

a mantra, a prayer — and a message

for all the demons, monsters and liars, 
today and always, everywhere:
FUCK YOU IN PERPETUITY THROUGHOUT THE UNIVERSE
in every form known to man.
now and in the future.
artist: Ernesto Yerena Montenajo

limited edition hand-pulled screen print
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ai | nature | crone collaboration

the macro-and-microcosmic exterior environment is suffused with art

“tree of knowledge”

local, aged, regal & lone giant oak,
surgically pruned for utility lines
foto 6.27.2023
art application AI generated image
directive input: “woman in profile with afro”
image in process
Continue reading “ai | nature | crone collaboration”